other projects
sounding out
- airform archives {steve roden}
- and/OAR {dale lloyd}
- àiridh {richard skelton}
- bike mike {wolfgang dorninger}
- compost and height {net label}
- ear room {mark peter wright}
- framework {patrick mcginley}
- helistik {tanel saimre}
- ideas attached to objects {patrick farmer}
- in place {jez riley french}
- ingeos {cédric peyronnet}
- kalerne {yannick dauby}
- light matters {joost rekveld}
- macumbista {derek holzer}
- noise jockey {nathan moody}
- orbes {manu hoterbach}
- orogenetics {mnortham}
- radio aporee ::: maps {udo noll}
- silent listening {andreas bick}
- studio notes {seth nehil}
- the art of memory {m swiezynski}
- the watchful ear {richard pinnell}
- tuned city {sound + architecture}
categories
tags
abandoned space abstraction aural architecture austin Berlin bernu rits binaural CD cd / dvd / web release compilation contact mics derek holzer edition sonoro Eesti Rahva Muuseum eku Estonia event exhibition experimental ferric festival field recording finland forest framework freesound HDV hitoshi kojo hydrophones ice improvisation in-situ installation intersect interview Istanbul japan Jez riley French josh ronsen Lake Peipsi Lau Nau location sound films maaheli editions macro maksims shentelevs microstructures mnortham moks mooste moving image mp3 / sound files murmer night nodar patrick mcginley paulo raposo performance photo Prague project / workshop radio aporee residency resonance revenant reviews rick reed Riga ruins seth nehil SIRR site-specific skan Sony PCM-D50 sound sound art sound film sound geography sound installation sound mapping sound maps sound performance sound project soundscape soundwalk subjectivity tallinn tartu text / writings thomas tilly topolo tour travel tuned city urban exploration urbanism urbexing wind harp workshop yannick dauby Zagrebpoll
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sound locations, transpositions
This work presents a cross-section of my sound interests and projects as a live performance. The performance includes an ever-shifting, juxtaposition of site-specific recordings (acoustic sounds, field recordings and video images), along with live movement and activation of physical objects and installations. As the composer moves from various locations throughout the year (in this case UK, Finland, Germany) so does he carry and transform his recorded materials. In this way, “Sound Locations – Transpositions” as a live event, becomes part of a continuous process, bridging personal experience, recorded documents with live presentation.
“Sound Locations – Transpositions” takes on various aspects of place and location in relation to sound and image. Three main components are present in the performance; live sound actions (via materials), mobile sound reproduction (via portable devices), recorded video (of sound recordings). These three elements are used as independent sources, but are combined in the end to create more of an environment than a performed piece. The outcome continuously develops and is never the same.
Photos by Serra Ozhan. Special thanks to Apartment Project for organizing this event and X-OP for support.
Sound Locations – Transpositions has been presented as the following events/venues:
(11.2009) Apartment Project (Istanbul, TR)
(10.2008) Sonikas Festival, (Madrid, ES)
(10.2007) Experimental Sound Gallery, (St Petersburg, RU), DOM, (Moscow, RU)
(5.2007) Observatori Festival, (Valencia, ES)
(12.2006) Cinema REX, (Belgrade, Serbia), Studentki Centar, (Zagreb, HR)
(11.2004) DEAF (Dutch Electronic Art Festival) (Rotterdam, NL)