phenomenological structures
A few days ago, while it was relatively warm out, I set up a temporary sound installation behind our house. The installation was a …
A few days ago, while it was relatively warm out, I set up a temporary sound installation behind our house. The installation was a …
Last week during the MoKS Kultuurijaam event in Tartu, Patrick McGinley and Maksims Shentelevs gave an excellent sound workshop entitled “sound as space / sound …
I’ve been taking advantage of the mild winter weather so far to do some site-specific recordings. Its normal that I visit various old ruins and …
While this topic is only indirectly related to most of what gets posted here, I thought I would comment on it since it has come …
(above photo by Gintas K) On Sunday November 11th at the ICA in London a showcase of artists from SIRR records took place for the annual …
While in England last week I had the rare chance to see/hear an installation work by Jonathan Coleclough. It was initially created for a sound …
From November of 2003, a live event hosted by the 322 Union art space (now Union Docs) in Williamsburg Brooklyn equal and distant lines II – …
32 page feature on “Sound Art” + audio CD for kunst.ee magazine – Estonian Quarterly of Art and Visual Culture (6/06) Editing and design: John Grzinich Estonian translations: …
seth nehil / jgrzinich – ‘Gyre’ CD Cut 018 , Switzerland (2006) 1. Cast 2. Weald 3. Glaze info The three compositions on Gyre were formed from varied location-based sound actions, …
…site and sound since the early 90s I’ve been working with various media with a focus on sound. much of this happened through collaborations with fellow …
…interviewed by Paulo Raposo PR: How did you start working with field-recordings? And how did you first start to integrate field-recordings in your music? JG: Last month …
I just got back from a week long trip to Russia to give two performances, one at the Experimental Sound Gallery in St. Petersburg and …
Category Archive: commentary / review