other projects
sounding out
- airform archives {steve roden}
- and/OAR {dale lloyd}
- audible affinities {matt marble}
- àiridh {richard skelton}
- bike mike {wolfgang dorninger}
- compost and height {net label}
- ear room {mark peter wright}
- framework {patrick mcginley}
- helistik {tanel saimre}
- ideas attached to objects {patrick farmer}
- in place {Jez riley French}
- ingeos {cédric peyronnet}
- kalerne {yannick dauby}
- light matters {joost rekveld}
- macumbista {Derek Holzer}
- orbes {manu hoterbach}
- orogenetics {mnortham}
- radio aporee ::: maps
- silent listening {andreas bick}
- studio notes {seth nehil}
- the art of memory {m swiezynski}
- the watchful ear {richard pinnell}
- tuned city {sound + architecture}
categories
tags
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Category Archives: text / writings
ear room
EAR ROOM | re-sounding dialogues across the globe
First edition online now :: Jez Riley French.
~~~~
Ear Room, an ONLINE publication for developing critical DISCOURSE and debate
on the creative, and EXPLORATIVE use of SOUND in artistic PRACTICE.
~~~
WHEN… on the FIRST of every month (August launch is a special double
edition on the 1st and 15th).
~~
WHERE… http://earroom.wordpress.com/ear
via… mark [...]
what is field recording?
This is a question I’ve been asking myself ever since I realized that “field recording” was something of a viable genre for many working with sound. Before hearing the term “field recording” (and I’ll throw in Phonography), I never thought much in making a distinction between working in or out in the field. I recorded [...]
four questions
Jez riley French runs a good series of interviews with sound artists on his blog. He has posted his ‘four questions’ with me. I’ve always felt it is difficult to write about my experiences in working with sound but what I liked about this process is that somehow when someone else asks questions it helps [...]
KUNST.EE -Helikunsti eri / Sound Art Special
32 page feature on “Sound Art” + audio CD
for kunst.ee magazine – Estonian Quarterly of Art and Visual Culture (6/06)
Editing and design: John Grzinich
Estonian translations: Evelyn Müürsepp
Articles by / Artiklid:
John Grzinich
Fred Jüssi
Erkki Luuk
Interviews with / Intervjuu:
Estonian artist – Ki wa
Carsten Seiffarth (Singuhr Hörgalerie, Berlin)
+ History of Sound [...]
Also posted in commentary / review, mp3 / sound recordings, project / workshop Tagged helikunst, kunst.ee, mp3 / sound files, sound, sound art Leave a comment
extended bio…
…site and sound
since the early 90s I’ve been working with various media with a focus on sound. much of this happened through collaborations with fellow explorers in Austin, TX, Seth Nehil, Michael Northam, Olivia Block, Josh Ronsen, Rick Reed and others. But my interest in the fringes of music extened back to the vibrant days [...]
emergent patterns
Much effort has gone into studying forms and patterns common in the natural world. From the early formation of the Golden Ratio, to the contemporary complex algorithms [...]
noise induced order
(what is) Noise induced order?
Bringing order out of chaos can require a little disorder. Adding variability and disorder to certain complex systems can help tame their chaotic behavior.
This unexpected conclusion could require artists and engineers to take a new look at [...]
in the soundscape
interviewed by Paulo Raposo
PR: How did you start working with field-recordings? And how did you first start to integrate field-recordings in your music?
JG: Last month I had some childhood memories come to me that I would say are related to this question. I used to play with tape recorders as far back as I even [...]
Also posted in commentary / review Tagged field recording, interview, paulo raposo, soundscape, text / writings Leave a comment
sound, artists and words?
This has been a question for me ever since I thought to start a “blog” (I hate this word. What ever happened to journals?). I’m rather curious to find other artists working with sound (either as primary or secondary media) who are interested to discuss their work in ways that don’t revolve around self promotion, [...]
lost interview
Some time back, either last year or the year before Paulo Raposo conducted and interview with me through email. I recently came across this exchange while going through some old files. I’m not sure we ever finished the interview, but I think it still gives a good overview to my approach. The interview is now [...]
of sound relations and objectives
I have used contact mics throughout the years in various aspects of my sound work from live performance and studio instrumentation, to making recordings in the field. I use them for purposes of uncovering the “interior” acoustic properties of materials particularly with metal objects and wires, making the nature or properties of the [...]
EAR ROOM #4