Covid Spring (Cognitive Resonance) is a collection of field recording mixes from rural environment where I live.
HRSI is a collection of unprocessed field recordings, a phonographic travelogue of sorts from Croatia and Slovenia made in June 2019.
Resonant Geometry is a performative exploration in redefining geometric space through resonant feedback. The framework of the project is based on a system of tensioned lengths of instrument wires.
Locus Sensum is an ongoing series based on short 1-2 minute portraits of places through single take video images and on location sound recordings.
Reflections on a January-February 2017 residency at Platform in Vaasa Finland where I investigated and observed the relations between ice and culture.
kom-pohst is a three part radio work by Eamon Sprod, Simon Whetham and myself commissioned by ABC RN’s Creative Audio Unit for Soundproof.
Workshop held from October 27th - 30th, 2016 labeled a 'Sound Field Lab' which was organized and hosted by Malakta Art Factory, in Malax Finland.
Quick review of the Tascam DR-100MKIII portable digital recorder with original audio recording samples.
A short interview with me by Aleksandra Jach of the Urban Ecology project of Lodz has been posted on The Anthropocene Index.
In early April 2016 I had the good fortune to visit to Iceland at the invitation of Skálar | Sound Art | Experimental Music. The visit was intended to be a quick orientation and research trip to eastern Iceland and yet it turned out to be much more.
'transduction twentyfifteen', a short film featuring sound recordings by: John Grzinich, Simon Whetham, Eamon Sprod, Jim Haynes, Rostislav Rekuta, Dawn Scarfe and Yiorgis Sakellariou.
A compilation CD featuring works by many of the artists who participated in the 2014 Soundplay festival
Curonia is a film that focuses on sound and listening to the landscape around Nida on the Lithuanian coast
'Listening in Context' film and project made during the Sound Development City artist expedition in 2014
Report from the 'Sounding Gdansk' workshop held during the Soundplay festival in Gdansk Poland, June 2014
Interview with Estonian curator and art critic Indrek Grigor for the online pan-baltic art journal Echo Gone Wrong
"trace effects, crystalline particles" is the first piece in a series of works made from a single camera shot and a single audio (field) recording. No generative or digital effects were used in the recording or editing process.
A large scale exhibition looking back at the history of sound art in Estonia, which includes some of my past works.
The Sensing Sonospace workshop held at the LAK festival in Copenhagen, explored our awareness of sound and space, and how we can creatively use sound to redefine that space and actively shape our listening experience.
