Notes about my Powerless Flight installation and Audioswarm performance at Sequences XI artist-run biennial in Reykjavik.
Reflections on my experience in the Field_Notes - The North Escaping field laboratory which was organised by the Bioart Society and hosted by the Kilpisjärvi Biological Station in Finland.
The 5th edition of Sonandes Biennale of Sound Art was held from October 4-22, 2022 in La Paz Bolivia. Represented was a variety of projects, workshops and performances from South American, North American and European contexts.
A third version of my wind harp installation “Powerless Flight” was exhibited at the Sonic Acts Biennial in Amsterdam in October 2022. In this site-specific iteration of the piece, aeolian harps and weather-responsive instruments have been designed to make air movement audible, attuning to the climate conditions around Het HEM. […]
Geofractions, a sonic survey of the post-natural landscapes and industrial mining zones of Ida-Virumaa in Estonia
Report from participating in the 2020 OORtreders festival in Belgium where I built wind harps and conducted a 5 day workshop.
Powerless Flight / Jõuetu lend is in some ways, a response to the global pandemic events of spring 2020, where many instances of a “return to nature” were witnessed, from sightings of dolphins near Tallinn to great ‘waves of silence’ that were registered at numerous points around the planet due […]
Covid Spring (Cognitive Resonance) is a collection of field recording mixes from rural environment where I live.
HRSI is a collection of unprocessed field recordings, a phonographic travelogue of sorts from Croatia and Slovenia made in June 2019.
Resonant Geometry is a performative exploration in redefining geometric space through resonant feedback. The framework of the project is based on a system of tensioned lengths of instrument wires.
Locus Sensum is an ongoing series based on short 1-2 minute portraits of places through single take video images and on location sound recordings.
Reflections on a January-February 2017 residency at Platform in Vaasa Finland where I investigated and observed the relations between ice and culture.
kom-pohst is a three part radio work by Eamon Sprod, Simon Whetham and myself commissioned by ABC RN’s Creative Audio Unit for Soundproof.
Workshop held from October 27th - 30th, 2016 labeled a 'Sound Field Lab' which was organized and hosted by Malakta Art Factory, in Malax Finland.
Quick review of the Tascam DR-100MKIII portable digital recorder with original audio recording samples.
A short interview with me by Aleksandra Jach of the Urban Ecology project of Lodz has been posted on The Anthropocene Index.
In early April 2016 I had the good fortune to visit to Iceland at the invitation of Skálar | Sound Art | Experimental Music. The visit was intended to be a quick orientation and research trip to eastern Iceland and yet it turned out to be much more.
'transduction twentyfifteen', a short film featuring sound recordings by: John Grzinich, Simon Whetham, Eamon Sprod, Jim Haynes, Rostislav Rekuta, Dawn Scarfe and Yiorgis Sakellariou.
A compilation CD featuring works by many of the artists who participated in the 2014 Soundplay festival
