The 5th edition of Sonandes Biennale of Sound Art was held from October 4-22, 2022 in La Paz Bolivia. Represented was a variety of projects, workshops and performances from South American, North American and European contexts.
A third version of my wind harp installation “Powerless Flight” was exhibited at the Sonic Acts Biennial in Amsterdam in October 2022. In this site-specific iteration of the piece, aeolian harps and weather-responsive instruments have been designed to make air movement audible, attuning to the climate conditions around Het HEM. […]
Geofractions, a sonic survey of the post-natural landscapes and industrial mining zones of Ida-Virumaa in Estonia
Report from participating in the 2020 OORtreders festival in Belgium where I built wind harps and conducted a 5 day workshop.
Powerless Flight / Jõuetu lend is in some ways, a response to the global pandemic events of spring 2020, where many instances of a “return to nature” were witnessed, from sightings of dolphins near Tallinn to great ‘waves of silence’ that were registered due to dramatic drops in airline traffic […]
Covid Spring (Cognitive Resonance) is a collection of field recording mixes from rural environment where I live.
HRSI is a collection of unprocessed field recordings, a phonographic travelogue of sorts from Croatia and Slovenia made in June 2019.
Resonant Geometry is a performative exploration in redefining geometric space through resonant feedback. The framework of the project is based on a system of tensioned lengths of instrument wires.
Locus Sensum is an ongoing series based on short 1-2 minute portraits of places through single take video images and on location sound recordings.
Reflections on a January-February 2017 residency at Platform in Vaasa Finland where I investigated and observed the relations between ice and culture.
kom-pohst is a three part radio work by Eamon Sprod, Simon Whetham and myself commissioned by ABC RN’s Creative Audio Unit for Soundproof.
Workshop held from October 27th - 30th, 2016 labeled a 'Sound Field Lab' which was organized and hosted by Malakta Art Factory, in Malax Finland.
Quick review of the Tascam DR-100MKIII portable digital recorder with original audio recording samples.
A short interview with me by Aleksandra Jach of the Urban Ecology project of Lodz has been posted on The Anthropocene Index.
In early April 2016 I had the good fortune to visit to Iceland at the invitation of Skálar | Sound Art | Experimental Music. The visit was intended to be a quick orientation and research trip to eastern Iceland and yet it turned out to be much more.
'transduction twentyfifteen', a short film featuring sound recordings by: John Grzinich, Simon Whetham, Eamon Sprod, Jim Haynes, Rostislav Rekuta, Dawn Scarfe and Yiorgis Sakellariou.
A compilation CD featuring works by many of the artists who participated in the 2014 Soundplay festival
Curonia is a film that focuses on sound and listening to the landscape around Nida on the Lithuanian coast
