AudioSwarm proposes a unique engaged listening format for presenting field recording based compositions inspired by complex behavioural notions of swarming, herding, flocking etc.
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Reflections on my experience in the Field_Notes - The North Escaping field laboratory which was organised by the Bioart Society and hosted by the Kilpisjärvi Biological Station in Finland.
Reflections on a January-February 2017 residency at Platform in Vaasa Finland where I investigated and observed the relations between ice and culture.
Quick review of the Tascam DR-100MKIII portable digital recorder with original audio recording samples.
A short interview with me by Aleksandra Jach of the Urban Ecology project of Lodz has been posted on The Anthropocene Index.
Report from the 'Sounding Gdansk' workshop held during the Soundplay festival in Gdansk Poland, June 2014
Interview with Estonian curator and art critic Indrek Grigor for the online pan-baltic art journal Echo Gone Wrong
A collection of stories from six arts who have different experiences regarding sound and listening in the Baltic States.
'sound seed transmissions' radio program originally broadcast on Nieringa FM, now available for listening.
The Sound Map of Tallinn project involves the research and production of a guide to the city of Tallinn from an auditory perspective.
As I travel around doing projects and giving workshops I start to notice something when I explain what I do and how it relates to the culture of sound and listening. The inevitable question that always comes up is, how is this information useful? Working as a “sound artist” appears […]
project proposal for Eesti Rahva Muuseum * * * * * Presentation at Eesti Rahva Muuseum, November 26th 2009 Soundscapes of Estonia is a research project and proposal for the Estonian National Museum as a non-local real-time sound environment. The term soundscape can be defined as the totality of sounds […]
Interview for Ear Room, an ONLINE publication for developing critical DISCOURSE and debate on the creative, and EXPLORATIVE use of SOUND in artistic PRACTICE.
Mutopia is a process oriented workshop environment that explores collaboration, collective creativity and open forms of authorship. This is done through social and environmental research, exercises, games and the use of mixed artistic media such as sound, collage, text, performance etc...
For now I decided to focus on the Sony PCM-D50 and what kind of recorder you get “out of the box”. I don’t have a new Edirol HR-09 to test and I wouldn’t recommend getting the old model. The Sony unit feels sturdy and seems well made, even more so […]
Sony PCM-D50 and Edirol R-09 portable digital recorder comparison with several different microphones
While in Berlin, I had the pleasure to meet and talk with Udo Noll, the inventive person behind Radio Aporee ::: Maps. For some time we’ve been discussing the diverse aspects of the project, including new features and possible additions to the interface, some of which have been successfully implemented. […]
Recordings of naturally occurring aeolian sounds produced by antiquated telephone lines (which have since been removed).
This past weekend was in Madrid for the Sonikas festival where I performed. While there, I learned about several sound-mapping projects in Spain. As some know, I contribute to Radio Aporee Maps, a growing collection of sounds from around the world which are playable in several ways. The projects linked […]
This is a question I’ve been asking myself ever since I realized that “field recording” was something of a viable genre for many working with sound. Before hearing the term “field recording” (and I’ll throw in Phonography), I never thought much in making a distinction between working in or out […]
Sound as Space, Sound as Language was an in-depth sound workshop involving listening exercises, improvisation, game play , scoring, field recording and site-specific activity.
sound workshop for youth, rev. 3 Last week I gave a sound workshop which was part of a summer theater camp for youth in Mooste. The camp was held for the first time so there was plenty to be learned especially when trying to collaborate with the other workshops (drama, […]
[2008] After some email exchanges with Jez riley French we both felt there was plenty potential discussion surrounding our approaches to working with sound. Jez runs a great blog that reveals much about his artistic process, travels and interest in other artists whom he admires. After being asked to answer […]
I just uploaded a bunch of sounds to radio aporee ::: maps, one of the many interesting projects by Berlin based artist Udo Noll. Udo has done what I thought google would have already done with its maps or earth projects (but has not), which is to construct an interface […]
Before leaving Nodar, I had the chance to talk with Maile Colbert and Rui Costa about the role of sound in the mission of Binaural Media and how it plays into the work of visiting artists.
I’ve been taking advantage of the mild winter weather so far to do some site-specific recordings. Its normal that I visit various old ruins and natural locations in the countryside, but recently I’ve been going into old houses that have been abandoned for some time. It should be noted that […]
While this topic is only indirectly related to most of what gets posted here, I thought I would comment on it since it has come up in numerous discussions the past year. According to some people, 2007 is the year the music industry broke. But as Chris Anderson (proponent of […]
While in England last week I had the rare chance to see/hear an installation work by Jonathan Coleclough. It was initially created for a sound exhibition he co-organized in 2006 at Braziers Park in Oxfordshire. The piece is designed for a specific site, an actively used greenhouse that is divided […]
From June 11th to June 18th, 2000 I made a short Balkan tour, performing in three cities. My performances included a collage of live and pre-recorded sounds. A simple installation of resonating wires provided a bed of rich drones on which live acoustic sounds and pre-recorded material was layered. The […]
Resonance Ensemble is an exercise in physical interaction with material objects, challenging human perception of acoustic phenomenon and guiding peoples intuition of group dynamics. This type of sound action? is carried out in a workshop context with a group of 10-20 people. The participants of the ensemble take everyday common […]
Kunst.ee magazine 26 page 'sound art' special edited by John Grzinich, English version and track info on the CD.
