sound aspects of material elements

sound aspects of material elements

a location sound film by: John Grzinich

now available on DVD

B/W, 57 minutes
PAL HD, 16:9

filmed/recorded: 2006-2009
edited: 2009-2010

concept, camera, editing: John Grzinich

collaborative recordings made with: Patrick McGinley, Jim Haynes, Toomas Thetloff, Maksims Shentelevs, Kaspars Kalninsh, Eamon Sprod, Hitoshi Kojo, Evelyn Müürsepp

equipment and support: MoKS – Center for Art and Social Practice, Mooste Estonia.

Sound Aspects of Material Elements reveals how our sense of hearing can use non-linguistic signals to communicate, interpret and build relations to the world around us. Using sound as the primary signifier, the film shows a specific approach to the artistic use of sound, covering a 3 year period of the authors personal research and collaborations with a number of close colleagues. The film documents in-situ processes of exploration and sonification of the landscape along with the numerous objects and structures found there.

All the sound recordings emphasize how the combinations of certain materials (metal, wood, glass) with natural elements (water, wind fire), take on alchemical characteristics as we listen in. We experience aeolian metal wires in the wind, structures affected by fire, water, snow and the casual effects of human interventions in insect worlds. The sonic outcomes can be subtle and sometimes below our common perception so a variety of experimental recording techniques were employed. Contact microphones are placed on surfaces shifting our attention toward the internal resonances of the materials themselves while mini microphones reveal spaces normally inaccessible by our ears. What we hear is what we see, yet is sometimes translated through amplified means.

With its minimal editing style and durational shots, Sound Aspects of Material Elements shifts our attention toward and extended view of time and place, of the ever changing micro-processes that hint to eternal growth and decay inherent to cycles of nature itself. The possibilities to intercept, shape, disrupt, recombine and capture the elements through creative experiments is what this film attempts to illustrate in the interest that it may inspire the viewer to listen in new way.

premiere screening April 17th, 2010 : CUFF – Calgary Underground Film Festival

additional screenings: galeria entropia Poland, Pacific Northwest College of Art USA (5.10), Altes Finanzamt Berlin (9.10), Estonian National Museum (11.10), Haus Der Kulturen der Welt Berlin for the Über Lebenskunst Festival (8.11) Audio Kino by SoundFjord, London (10.11) Alchemy Film and Moving Image Festival, Scotland (10.11)

Previews: